"Though the 30 For 30 format allows filmmakers to work within blessedly broad parameters, one condition has paid off brilliantly so far: The directors must have a personal stake in the subjects they cover…I still don’t like those old Hurricane football teams, but “The U” at least gave me the context to understand them better and respect the source of their collective rage and swagger. With his lightning-paced, pulpy documentaries Cocaine Cowboys and Cocaine Cowboys 2: Hustlin With The Godmother, Corben has established himself as an energetic young chronicler of Miami’s criminal underworld."

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